[VoxSpace Life] Princess Diana’s Portrait In HIV+ve Blood Opens New Discussions

The Princess, Philanthropist, And Fashionista Tainted With Imperial Glory

Decades after her death, a new video surfaced on a social media site, flaunting a rather flamboyant Princess Diana than might be expected from somebody of her social stature and wealth. Diana was an icon of her times, reasons are many, her humanitarian outlook, her exuberant taste in fashion, candidness in public interviews a woman who did not wince from retorting that her marriage with Charles was “loveless”. These features somewhat super exceeded any traditional perception of a royal woman. This tireless humanitarian who represented the Crown was extraordinary in the way she directed the media frenzy surrounding her, to social causes, causes that needed the world’s attention, sections of the society that needed Diana as a brand to procure media’s diligence. The halo that surrounded this enigmatic British monarch had a role to play in aiding more than 100 charities and was a prodigy in championing the cause, one remarkable one being the altered slant that she provided towards HIV and AIDS.

Collins’ Labour Of Love  

Princess Diana had no exuberance that Elizabethan England and its personages shared; furs, farthingale and all the staggering amount of exaggerations was a far cry from Princess Diana’s demeanour. Diana’s outdoor activities ranged from visiting landmines in Bosnia and Angola in body armour fastened to a white shirt to publicly shaking hands with an HIV positive patient.

I remember the sheer austerity that was once associated with aristocracy and class in ‘The Portrait of a Lady’ by Henry James. Our country has consistently suffered from a post-colonial hangover of imperial grandeur that was once responsible for crumbling the nation into pieces, which would be administered and run by the British for around three centuries. However, late Princess Diana has shown us a different side of the story and her disregard to spend a saccharine wrapped royal life within the complacency of her mansion. UK based artist Conor Collins’ recent tribute to the woman by creating a life-like portrait with HIV positive blood and diamond dust is befitting to Diana’s legacy and public reputation.

Collins, 29 paid his tribute via the portrait to the late Princess who fought against worldwide discrimination of AIDS patients, partly a result of inadequate knowledge on how the disease spreads from one person to the other. Collins hopes that the unravelling of it would send a message across the world and help him eradicate the stigma, a sort of malady that more than half of world’s population still suffer from.

The Degree Of Diana’s Fervour For Monarchy

Collins has been extremely visual and reminds us of the woman who earned social leverage over the years, with hard work and dedication. It was Diana, whose action was a persistent reminder to do away with the fallen out practices and customs imbibed within the concept of monarchy, which is losing out relevance.

The universal impact of Collins’ art has an important role to play in the shaping the collective perception of Diana by generations; it has created a new platform where people are engaging themselves and discussing the late Princess of Wales, the principles she held by. The portrait directly connects her with the humanitarian works she had been an integral part of, a woman of authority embedded in Stardust and imperial glory. Diana as a philanthropist has distinctly dwarfed her identity of belonging from a domineering aristocratic class and the portrait certainly contains a rich historical context than its apparent show of artistic inventiveness.