Review Of Adithya Varma: A Truthful Remake Elevated By Fresh Perspective

Adithya Varma manages to recreate the magic Arjun Reddy has, and the same time offers a new perspective for the ones who have watched the previous film

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Review Of Frozen 2 : A Fun Musical Made With Finesse That Almost Leaves You Fulfilled

Frozen 2 follows the story of two sisters – Anna and Else from Arendelle who set out on an adventure to save their kingdom from grave peril

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Review Of George Reddy : The Contemporary Comrade Tale Of A Martyred Hero Stands Tall With Feisty Pride

George Reddy the movie helmed by debutant Jeevan Reddy, as we see him progress from being a new admit to Osmania University to becoming a revoluntionary

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VoxTalks With Danish Renzu : An Artist Who Derives His Stories Straight From The Heart

Danish Renzu is an internationally acclaimed filmmaker of Indian descent. He has previously made multiple short films that have excelled at prestigious film festivals around the world.

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VoxTalks With Rajesh Tailang : A Nuanced Actor Who Believes That Acting Is Living In The Moment

Rajesh Tailang, who has been leaving his mark in the Film Industry with his remarkable acting and many other exceptional talents for the last 25 years, is now conquering the webspace

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[VoxSpace Selects] A Retrospective On A Marvelous Year For Malayalam Cinema

This year is undoubtedly the year of the Malayalam cinema. They have had some of the best films not only of this year but I would say these films could compete for the best of the decade.

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[VoxSpace Selects] The Most Underrated Tamizh Films Of The Year 2019

Arguably, I’d say 2019 has been one of the driest phases of Tamizh cinema, with a very few films making the cut

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Review Of Little Things Season 3 : A Keenly Observed ‘Absurdity In Familiarity’ Fare Which Shines Through

Little Things has always found its bearing in telling a whole chapter in its season, which leaves you satisfied and smiling

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Review Of Mehsampur : An Obscure Genre Fluid Feature Which Serves As A Prospectus For New Age Film Making

Mehsampur becomes anti-matter, or rather an anti-film, which will in time accumulate its own ethical and moral dust, to become a genre in itself. 

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