This 2018 production of Bhasa's classic remains a fascinating exploration of Duryodhana's character that challenges traditional Mahabharata narratives.
Verdict
Urubhangam had the potential to be visually engrossing with elaborate choreography and carefully crafted movements. However, insipid acting and overused grunts diminished its impact. While Akhil Bhaneswar’s performance as Dhritarashtra added grace, the rest of the cast didn’t deliver. A missed opportunity for a truly magical theatrical experience.
Rating: 3/5
Bhasa’s Urubhangam (The Broken Thigh)
Venue: Apollo Foundation Theatre
Title: Urubhangam
Playwright: Bhasa
Director: Dr Ram Mohan Holagundi
Production: Nishumbita Ballet & Theatre
Plot:
Duryodhana is only ever portrayed as the villain of the mega epic Mahabharata. A man whose pride and obstinacy got the better of him. Though the tale of ‘the triumph of good over evil’ is much more layered than what we know, Duryodhana is not much more than a detestable king in our collective imagination.

Urubhangam, which literally translates to the ‘broken thigh’, explores his human side, his flaws, his fears etc. The play in no way absolves him of his deeds, rather it deals with his emotions during and around his death. Does he experience any remorse? Does he still feel bitter towards his cousins? Does he blame them for his failures?
Review:
Urubhangam was staged as the finale, on the third day of Nishumbita’s annual theatre fest, Natostav. The play was a showcase of physical theatre, replete with elaborate choreography of the battle scenes and the inevitable death on it. Urubhangam had the makings of a highly visually engrossing play, with carefully crafted movements. However, the insipid acting and overused repeated grunts took the sheen away.
Akhil Bhaneswar looked the part as Dhritarashtra, Duryodana’s father. His steady performance added some much-needed grace, while the rest of the cast floundered.

One can’t help but imagine how magical the play might have been if the entire cast had pulled their weight while playing their parts.
Rating: 3/5
Frequently Asked Questions
What is Bhasa’s Urubhangam about?
Urubhangam, literally meaning ‘broken thigh,’ explores the human side of Duryodhana beyond his portrayal as a villain in the Mahabharata. It examines his emotions, flaws, and fears during his death, questioning whether he felt remorse and how he viewed his rivalry with the Pandavas.
Who directed the Nishumbita production of Urubhangam?
The Nishumbita Ballet & Theatre Group production of Urubhangam was directed by Dr Ram Mohan Holagundi. The play was staged as the finale on the third day of Nishumbita’s annual theatre festival, Natostav, at Apollo Foundation Theatre.
Is Urubhangam a physical theatre production?
Yes, Urubhangam was showcased as a physical theatre production with elaborate choreography of battle scenes and death sequences. It featured carefully crafted movements designed to be visually engrossing, though the execution varied among the cast members.
How did critics rate Bhasa’s Urubhangam?
The production received a 3 out of 5 rating. While it had potential with visually engaging choreography and Akhil Bhaneswar’s solid performance as Dhritarashtra, weak acting from other cast members and repetitive grunts diminished the overall impact significantly.
Does Urubhangam justify Duryodhana’s actions?
No, Urubhangam does not absolve Duryodhana of his deeds or actions in the Mahabharata. Instead, it explores his emotional state and inner conflicts during his death, providing nuance to his character while maintaining accountability for his choices and pride.
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